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Each issue features profiles and reportage on art and artists, exhibition reviews and cultural news from around the world.\u003c\/p\u003e\n\u003cp\u003eIssue 241:\u003c\/p\u003e\n\u003cp\u003eA celebration of artist and performer, David Hoyle, a profile on artist, Nina Beier (cover art), textiles as outrage and testimony and Leronn Brooks and Nari Ward on devotion, craft and collective imagination. 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Inside you'll find a profile on the artist representing the UK, John Akomfrah who discusses the overdue recognition of Black British art. There's also a roundtable on Indigenous art and novelist Colm Tóibín obseves Venice through the lens of the artists and writers who have lived and worked in the city over the centuries. Plus culture news and exhibition reviews from around the world. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Frieze","offers":[{"title":"Default Title","offer_id":44603786068184,"sku":"Frieze Issue 242 C7","price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/5118\/7538\/files\/Frieze-Art-Mag-Issue-242-cover.jpg?v=1711635734"},{"product_id":"frieze-issue-243","title":"Frieze Issue 243","description":"\u003cp\u003eLaunched in 1991, Frieze is a magazine of contemporary arts and culture with a permanent gallery space in London and art fairs in London, New York, L.A and Seoul. Each issue features profiles and reportage on art and artists, exhibition reviews and cultural news from around the world.\u003c\/p\u003e\n\u003cp\u003e'That which cannot be documented' is a theme that runs through issue 243 with a conversation with Joan Jonas whose retrospective is currently on show at MOMA in New York. They also dive into the history of queer theatre, investigate the 'holes and absences' in the work London-based artist, Kobby Adi and discuss the evolution of an artist who keeps herself entirely offline, Ghislaine Leung. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Frieze","offers":[{"title":"Default Title","offer_id":44810264641752,"sku":"Frieze Issue 243 C7","price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/5118\/7538\/files\/Frieze-Mag-243-cover.jpg?v=1713875384"},{"product_id":"frieze-issue-244","title":"Frieze Issue 244","description":"\u003cp\u003eLaunched in 1991, Frieze is a magazine of contemporary arts and culture with a permanent gallery space in London and art fairs in London, New York, L.A and Seoul. Each issue features profiles and reportage on art and artists, exhibition reviews and cultural news from around the world.\u003c\/p\u003e\n\u003cp\u003eIn issue 244 writer Dan Fox profiles the storied artist book publisher \u003cem\u003ePrimary Information,\u003c\/em\u003e examining its history and development. Also four exciting art spaces in Tokyo and how they might change the contemporary Asian art scene. 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Plus, Malik Gaines, Alastair Macaulay and Constance Stamatiou among others contribute to a Festschrift that traces the enduring legacy of choreographer Alvin Ailey.\u003c\/p\u003e","brand":"Frieze","offers":[{"title":"Default Title","offer_id":49168949051608,"sku":"Frieze Issue 246 D7","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/5118\/7538\/files\/Frieze.Cover.png?v=1727281622"},{"product_id":"frieze-issue-247","title":"Frieze Issue 247","description":"\u003cp\u003eLaunched in 1991, Frieze is a magazine of contemporary arts and culture with a permanent gallery space in London and art fairs in London, New York, L.A and Seoul. 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Each issue features profiles and reportage on art and artists, exhibition reviews and cultural news from around the world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe January\/February issue of \u003cem\u003efrieze\u003c\/em\u003e - writer \u003cstrong\u003ePhilippa Snow\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003epens a tribute to artist\u003cstrong\u003e Linder\u003c\/strong\u003e ahead of her retrospective at the Hayward Gallery in London.\u003cstrong\u003e \u003c\/strong\u003ePlus\u003cstrong\u003e, Emily LaBarge, Lucy Ives, Amy Sillman\u003c\/strong\u003e and editor-in-chief \u003cstrong\u003eAndrew Durbin \u003c\/strong\u003ededicate a Festschrift to \u003cstrong\u003eJoan Mitchell\u003c\/strong\u003e in honour of the artist’s centenary. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e1,500 Words: Linder\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘There is something powerful about a woman who is capable of caring about style \u003cem\u003eand\u003c\/em\u003e substance, embodying beauty \u003cem\u003eand\u003c\/em\u003e expressing a beastly kind of anger.’ \u003cstrong\u003ePhilippa Snow\u003c\/strong\u003e reflects on the lasting influence of the artist’s feminist photomontages. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFestschrift: Joan Mitchell\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘Some strokes are lucky, some are unlucky; Mitchell paints over the unlucky ones, and then keeps going through this sea of unknowing that is making a painting.’\u003cstrong\u003e \u003c\/strong\u003eFour writers and artists celebrate the life and bold artistic practice of the late American painter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAlso featuring\u003c\/strong\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eZoë Hopkins \u003c\/strong\u003eprofiles artist \u003cstrong\u003eRenée Green \u003c\/strong\u003eahead of her first major solo museum presentation in the US at Dia Beacon, New York. \u003cstrong\u003eJoshua Segun Lean\u003c\/strong\u003e pens a thematic essay on the complicated politics of biennials. Plus, as he gears up for a major solo exhibition at Pirelli HangarBicocca in Milan,\u003cstrong\u003e Tarek Atoui\u003c\/strong\u003e speaks to musician \u003cstrong\u003eC. Spencer Yeh\u003c\/strong\u003e about the role of education, collaboration and hospitality in his work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eColumns: \u003c\/strong\u003e\u003cstrong\u003eDisobedience\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eIarlaith Ní Fheorais\u003c\/strong\u003e profiles \u003cstrong\u003eP. Staff\u003c\/strong\u003e whose discomforting practice interrogates quotidian violence, \u003cstrong\u003eKiri Dalena\u003c\/strong\u003e outlines the revolutionary power of speech as activist retaliation, \u003cstrong\u003eShiv Kotecha\u003c\/strong\u003e highlights \u003cstrong\u003eBassem Saad\u003c\/strong\u003e and \u003cstrong\u003eSanja Grozdanić’s \u003c\/strong\u003eperformance \u003cem\u003ePermanent Trespass (Beirut of the Balkans \u0026amp; the American Century)\u003c\/em\u003e, poet \u003cstrong\u003eHolly Pester\u003c\/strong\u003e reviews \u003cstrong\u003eAlva Gotby’s\u003c\/strong\u003e upcoming book, \u003cem\u003eFeeling at Home\u003c\/em\u003e (2025), which tackles the contemporary housing crisis, \u003cstrong\u003eAndreas Petrossiants \u003c\/strong\u003einterviews \u003cstrong\u003eBeatriz Santiago Muñoz \u003c\/strong\u003eon the potential of nonsense and disorder. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFinally, ahead of \u003cstrong\u003ePaul McCarthy’s\u003c\/strong\u003e exhibition at Hauser \u0026amp; Wirth, London, \u003cstrong\u003eJonathan Griffin\u003c\/strong\u003e looks at his disturbing new video \u003cem\u003eA\u0026amp;E, Adolf \u0026amp; Eva \/ Adam \u0026amp; Eve, The Counter 2, 28:32\u003c\/em\u003e (2024). Plus,\u003cstrong\u003e Amy Sillman \u003c\/strong\u003econtributes to our series of artists’ ‘to-do’ lists and associate editor \u003cstrong\u003eChloe Stead\u003c\/strong\u003e pens a postcard from Berlin.\u003c\/span\u003e\u003c\/p\u003e","brand":"Frieze","offers":[{"title":"Default Title","offer_id":55629725532544,"sku":"Frieze Issue 248 E7","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/5118\/7538\/files\/Untitleddesign-167.png?v=1737993653"},{"product_id":"frieze-issue-249","title":"Frieze Issue 249","description":"\u003cp\u003eLaunched in 1991, Frieze is a magazine of contemporary arts and culture with a permanent gallery space in London and art fairs in London, New York, L.A and Seoul. Each issue features profiles and reportage on art and artists, exhibition reviews and cultural news from around the world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe March issue of \u003cem\u003efrieze\u003c\/em\u003e magazine is dedicated to artists and writers living and working in Los Angeles. \u003cstrong\u003eRahel Aima \u003c\/strong\u003eprofiles artist \u003cstrong\u003eWael Shawky \u003c\/strong\u003eahead of the US premiere of his film installation \u003cem\u003eDrama 1882\u003c\/em\u003e at The Museum of Contemporary Art. 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Assistant editor \u003cstrong\u003eCassie Packard \u003c\/strong\u003epens a thematic essay on feminism and queer ecology’s relationship to intimacy. 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Plus, contributing writer \u003cstrong\u003eJuliet Jacques\u003c\/strong\u003e pens an essay on teaching at the \u003cspan lang=\"EN-US\"\u003eRoyal College of Art in London, \u003c\/span\u003ewalking us through her eclectic curriculum on archive filmmaking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eColumns: On Set\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMadeleine Hunt-Ehrlich \u003c\/strong\u003espeaks with senior editor \u003cstrong\u003eVanessa Peterson \u003c\/strong\u003eabout the power of collaboration in her filmmaking practice; artist \u003cstrong\u003eSaodat Ismailova \u003c\/strong\u003etalks to\u003cstrong\u003e Saim Demircan \u003c\/strong\u003eabout her coming of age as a female director in Uzbekistan; \u003cstrong\u003eMaryam Tafakory’s\u003c\/strong\u003e recounts to \u003cstrong\u003eCici Peng\u003c\/strong\u003e how she reimagines censored omissions from Iranian post-revolution cinema; \u003cstrong\u003eKevin Jerome Everson \u003c\/strong\u003eoutlines to\u003cstrong\u003e Carlos Valladares\u003c\/strong\u003e how his upcoming cinematic projects tap into the medium’s immediacy. 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Each issue features profiles and reportage on art and artists, exhibition reviews and cultural news from around the world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe May issue of \u003cem\u003efrieze\u003c\/em\u003e magazine is dedicated to artists and writers living and working in New York. \u003cstrong\u003eSimon Wu \u003c\/strong\u003eprofiles \u003cstrong\u003eLotus L. Kang’s \u003c\/strong\u003einnovative use of greenhouses on the occasion of the artist’s show at 52 Walker, New York. Plus, \u003cstrong\u003eEmily LaBarge\u003c\/strong\u003e explores dreams and reality in the art of \u003cstrong\u003eKaari Upson\u003c\/strong\u003e, in honour of her first retrospective at the Louisiana Museum of Modern Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProfile:\u003c\/strong\u003e \u003cstrong\u003eLotus L. Kang\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘I’m doing diaspora rather than showing it. 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Plus, Ela Bittencourt, Fernanda Brenner, Raphael Fonseca and Yina Jiménez Suriel contribute to a dossier on four emerging artists to watch at this year's Sáo Paulo Biennial.\" \u003c\/span\u003e\u003c\/p\u003e","brand":"Frieze","offers":[{"title":"Default Title","offer_id":56479157879168,"sku":"Frieze Issue 253 E6","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/5118\/7538\/files\/frieze-issue253-cover.png?v=1756479397"},{"product_id":"frieze-issue-254","title":"Frieze Issue 254","description":"\u003cp\u003eLaunched in 1991, Frieze is a magazine of contemporary arts and culture with a permanent gallery space in London and art fairs in London, New York, L.A and Seoul. 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There is also an exciting roundtable feature discussing the meanings and potentials of Gulf Futurism. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Frieze","offers":[{"title":"Default Title","offer_id":57425328996736,"sku":"MMS Frieze Issue 257 D6","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/5118\/7538\/files\/Untitleddesign_f88d73e1-b5be-4214-811c-07c4c9dde2c5.png?v=1772017566"},{"product_id":"frieze-issue-258","title":"Frieze Issue 258","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLaunched in 1991, Frieze is a magazine centred on contemporary art and culture, with a permanent gallery space in London and art fairs held in London, New York, LA and Seoul.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhat grabbed us about this issue… \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis issue turns its attention to contemporary art and culture, looking at how it’s taking shape in different places. There’s a look inside a new wave of gallery spaces in Milan, and the people quietly shaping them. Closer to home, we enjoyed a considered list of upcoming exhibitions that makes it easy to find somewhere to spend an afternoon.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWho’s \u003cem\u003eFrieze\u003c\/em\u003e for? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith a finish that feels closer to a catalogue than throwaway read, Frieze is one to reach for when you want to find out more about the contemporary art scene. It’s timely, with advertisements and reviews that point you towards projects that are happening now. Think of it as an exhibition guide, interspersed with longer pieces and artist profiles that sit with an idea a little more. It’s one we return to for its way of looking at art without overcomplicating it.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eType: Special interest, mixing long-form with photography\u003c\/p\u003e\n\u003cp\u003ePages: 140\u003c\/p\u003e\n\u003cp\u003eInstagram: \u003ca href=\"https:\/\/www.instagram.com\/friezeofficial\/\" title=\"Frieze Instagram Link\"\u003e@friezeofficial\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Frieze","offers":[{"title":"Default Title","offer_id":57660143436160,"sku":"Frieze Issue 258 D6","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/5118\/7538\/files\/frieze-258-cover.png?v=1774450590"},{"product_id":"frieze-issue-259","title":"Frieze Issue 259","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePublished eight times a year, Frieze is a magazine centred on contemporary art and culture, with a permanent gallery space in London and art fairs held in London, New York, LA and Seoul.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhat grabbed us about this issue…\u003c\/strong\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is the Venice issue, with a focus on the upcoming 61st Biennale. It feels closer to a guide to the event than a typical contemporary art magazine. \u003c\/span\u003eIf you're curious about how smaller nations make their mark at the Biennale, there's an insert following the essays, artists and curators involved in the Uzbekistan in Venice project that's worth a look. We kept coming back to an article exploring how the Biennale has been used as a platform for protest, highlighting the relationship between geopolitics and contemporary art. There’s also Frieze’s regular feature on upcoming exhibitions, organised by country, which is useful if you’re planning your next trip.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWho’s \u003cem\u003eFrieze\u003c\/em\u003e for? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith a finish that feels closer to a catalogue than a throwaway read, Frieze is one to reach for when you want to find out more about the contemporary art scene. 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It’s one we return to for its way of looking at art without overcomplicating it.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eType: Special interest, mixing long-form with photography\u003c\/p\u003e\n\u003cp\u003ePages: 172\u003c\/p\u003e\n\u003cp\u003eInstagram: \u003ca title=\"Frieze Instagram Link\" href=\"https:\/\/www.instagram.com\/friezeofficial\/\"\u003e@friezeofficial\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Frieze","offers":[{"title":"Default Title","offer_id":57953965867392,"sku":"Frieze Issue 259 D6","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/5118\/7538\/files\/frieze-259-cover.png?v=1777456034"},{"product_id":"frieze-issue-260","title":"Frieze Issue 260","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePublished eight times a year, Frieze is a magazine centred on contemporary art and culture, with a permanent gallery space in London and art fairs held in London, New York, LA and Seoul.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhat grabbed us about this issue…\u003c\/strong\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eThis issue contains an eclectic mix of work, joined together by the power of taking an imaginative leap. We kept coming back to an interview with film maker Shu Lea Cheang, exploring trans and gender nonconforming life in present day America. If you liked this issue’s front cover, you might enjoy the profile on the artist: Donna Huddleston. And if you’re looking for a more considered read, there’s an essay titled ‘1,500 Words’ to sink your teeth into. \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWho’s \u003cem\u003eFrieze\u003c\/em\u003e for? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith a finish that feels closer to a catalogue than a throwaway read, Frieze is one to reach for when you want to find out more about the contemporary art scene. It’s timely, with advertisements and reviews that point you towards projects that are happening now. Think of it as an exhibition guide, interspersed with longer pieces and artist profiles that sit with an idea a little more. It’s one we return to for its way of looking at art without overcomplicating it.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eType: Special interest, mixing long-form with photography\u003c\/p\u003e\n\u003cp\u003ePages: 156\u003c\/p\u003e\n\u003cp\u003eInstagram: \u003ca title=\"Frieze Instagram Link\" href=\"https:\/\/www.instagram.com\/friezeofficial\/\"\u003e@friezeofficial\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Frieze","offers":[{"title":"Default Title","offer_id":58202003603840,"sku":"Frieze Issue 260 D6","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/5118\/7538\/files\/frieze-260-cover.png?v=1780497178"}],"url":"https:\/\/picsandink.com\/collections\/frieze\/culture.oembed","provider":"Pics and Ink","version":"1.0","type":"link"}