Service Update - UK orders are still bring delivered with only minor delays. Remember just £2 Shipping on all UK orders. Overseas orders are currently subject to delays. Check most up to date info on our delivery page.
We are Pics & Ink - a new way of buying interesting and unusual magazines, the type most people can’t find in their local newsagent.
The internet is great, it means we can access pretty much anything from pretty much anywhere. Magazines have yet to benefit from this. We aren’t about reading magazines online because we really like the touch, smell and beauty of great paper.
So let us be your guide through the world of independent magazines. We’ll tell you about them, show you a few pages, then we will pack them up very carefully and post them to your door.
Elementum is a biannual journal that explores our place in the natural world through new writing, illustration and photography.
The theme of Edition Four is ‘shape’ and we join women responding to a shifting environment in lace, cyanotype and stone. We follow colourful trails of fish with marine biologist Helen Scales and trace an alphabet of otters with Jackie Morris. We track down fossilised sea urchins impressed in burial mounds and church windows, and learn how observing birds can help us to pin memories to places. Wyl Menmuir finds that working with wood helps to continually reshape his writing practice, while Jane Lovell shares her path through a poem, where words glimmer with hope in a dark landscape.
There is new writing from Whitney Brown, Will Burns and Alex Preston and striking imagery, newly commissioned, from Tor Falcon, Neil Gower and Catherine Hyde. Other articles explore the long-forgotten but now recently recovered work of Anna Atkins and Emma L. Turner. More than a hundred years ago, these pioneering natural historians were harnessing technology to frame the future of nature photography while breaking the mould of who might tell the story of Britain’s algae, ferns and birds.
We travel from the chalk of the English South Downs to the reedbeds of Norfolk, and from a Welsh valley sculpted by ice and dynamite to the foot of a cliff in northwest England, where Annie Worsley uncovers the imprints of our prehistoric coastal ancestors, a mother’s straight path along the sand encircled again and again by the small footprints of her children.